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Posts Tagged ‘art’

I’ve been looking for full time work since this Tinker business I’ve been experimenting with just isn’t paying the bills.  I applied to a graphic designer position with a scrapbooking company, and was politely informed that they cater to a “feminine” clientele and that my art isn’t what they are looking for.

OK, sure.  I could have made some great products for them, but to each their own.

I have to wonder, though.  With things like epbot.com, Forbes and IBM pegging steampunk as a Big Deal, and this sort of thing, with “steampunk” at least as important as “selfie” in dictionaries:

SteampunkDictionary

…it seems to me that steampunk design ethos, something I’m fairly familiar with these days, isn’t exactly “feminine”, but neither is it something below notice.

It’s not even strongly gendered in my experience, with steampunk fans quite happy to embrace things like Girl Genius or Hullabaloo not because of “token girls” but because of interesting and well crafted visuals and characters, some of whom happen to be female.  To be sure, there are those who take the Victorian fashion and buttoned-up morality as a sort of challenge, trying to find ways to make it pornographic (which doesn’t intersect largely with scrapbook patrons… I think… but I’m not researching it), but that’s just what the Internet does.  For the most part, what I’ve seen of the steampunk ethos and design is very inclusive and relatively nonjudgmental, which is part of the appeal of that “alternate history science fiction” sort of world where imagination is king.

I’m not a woman, but I’m married to a wonderful one, and she doesn’t see my steampunk work like the Tinker products and say “oh, that’s just so… masculine, ewwww”.  She appreciates it for its curious blend of precision and ramshackle weirdness.

So, I have to wonder what sort of market there is out there for steampunk designs that can be used in scrapbooking.  There’s certainly a “do it yourself” appeal to a lot of steampunk, which doesn’t necessarily lend itself well to prepackaged scrapbooking goods, and there’s always going to be those who heap disdain on any hint of the illiterate masses flirting with mainstream acceptance of their formerly fringe “geek safe zone” (see: “glue a gear on it“).  Even so, I instinctively think that dismissing steampunk might be a bit premature, and to consider it beneath the notice of “feminine” clientele is perhaps shortsighted.

To be fair, this company didn’t complain about steampunk explicitly, I’m just ruminating on their feedback.  I’m just not sure that “feminine” need equate to this sort of simple thing all the time.

What do you think?

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This is just an addendum to the photo set of the Gearpunk dice.  We’ve ordered some in a black nickel finish, and though we don’t have all of them in stock yet thanks to a factory mistake, we have a few.  May as well show some beauty photos, right?

s_D6GearpunkBlackNickel

D6GearpunkBlackNickel

s_D8GearpunkBlackNickel

D8GearpunkBlackNickel

s_D12GearpunkBlackNickel

D12GearpunkBlackNickel

s_D20GearpunkBlackNickel

D20GearpunkBlackNickel

s_D20SpinGearpunkBlackNickel

D20SpinGearpunkBlackNickel

s_DFudgeGearpunkBlackNickel

DFudgeGearpunkBlackNickel

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If you’ve perused the photo library of the Gearpunk dice, you might have noted that the Zinc-finished dice are rather shiny, especially when compared to the brass and copper variants.

Gearpunk D10 Decader Antiqued Copper

Gearpunk D10 Decader Antiqued Copper

Gearpunk D10 Decader Antiqued Brass/Bronze

Gearpunk D10 Decader Antiqued Brass/Bronze

Gearpunk D10 Decader Zinc

Gearpunk D10 Decader Zinc

I’m partial to the antiqued look, both because I like the more rustic aesthetic, and because the antiquing makes the dice easier to read.  Since the factory managed to mangle our order’s quantities, we wound up with over 100 extra shiny Zinc D10 “decader” dice.  One of them seemed like the perfect test subject, then, to see what sort of simple inking options I might have.  I’ll be trying other experiments, but this is the initial test, which I’m pleased with.

I used Speedball “super black” India ink, water and a small hobby paintbrush.

Specifically, this ink:

Speedball Ink

And a brush a bit like the middle one here:

Small paintbrush

Though I picked up mine in a set of three at the local hobby store for $2.  It doesn’t need to be an expensive brush, just one that will hold a point when wet and is about 1/8″ in diameter or so.

I put eight drops of water and three drops of ink in a plastic cup for this experiment.  I diluted the ink to give myself a little time for the ink to dry.  When used straight, the ink dries fairly quickly, and I wanted a little wiggle room in case I messed up.  This experiment really doesn’t need a lot of ink, either.  I would have been fine with 1 drop of ink and 2 drops of water in retrospect, though it’s not a bad thing to have a bit more than necessary… and it’s not like a few drops really put much of a dent in my supply.  That’s the nice thing about this ink; it’s great to use, even when diluted.

I used the brush to pick up a bit of the ink, then gently applied it to the background behind the numbers on the die face.  The water tension naturally makes the ink settle into the recesses, though I did need to guide it around a little.  I added a little with a light touch to the other recesses in the design, and brushed lightly to help spread things around and get some ink in the smaller details around the edges and corners.

Since the ink does run a bit, I did only one face at a time, the one facing up and its edges.  Inking the adjacent faces would mean the ink would pool largely on the downhill side of the contours, and while I didn’t want a flat color, neither did I want it heavily lopsided.

Each face, then, took a few minutes to dry.  That’s not too bad, and if I were doing a set of dice, one face at a time per die, by the time I finished with the last die’s upright face, the first die could be ready to roll over and do the next face.  It’s best if you get each application dry before doing the next, so that timing might not work perfectly, but all in all, it wasn’t too much of a wait.

I’m sorry I didn’t have my camera handy to take photos while I was working, this project had to fit in some of my very constrained time last night and I wasn’t properly prepared.

Here are some photos of the finished die next to one of its unprocessed kin, in a variety of lighting situations (including one that’s just a color correction, taking the yellows out of an indoor photo).

s_IMG_7382 s_IMG_7383 s_IMG_7385 s_IMG_7380 s_IMG_7380_alt s_IMG_7381

I think it turned out well, much better than I had expected.  I’ll be doing more experiments when I can, but this was a good start, I think.

Thank you!

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It’s been quiet around here lately.  I’m still looking for work, and Unemployment is about exhausted.  So, I still don’t have the luxury of spending much time here, and I’m… significantly stressed. Still, this is worth noting.  The Gearpunk Dice that we’ve been waiting for since last year are finally here, so we’ll be shipping them out to everyone as soon as we can process them. Thank you for your interest and patience!

It’s worth noting that there are two photos of each single die.  This is to show them in different lighting and against different surfaces, in this case, black leather and aged painted concrete.

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The Tinker Gearcoin project funded, thank you everyone!

Of course, we still have some time to go and room to grow, so we’re doing something kinda crazy.  We want to design a 12th coin, but we’re crowdsourcing the design.  Sort of.  It’s like Magic the Gathering, when they do their “You Design The Card”; we’re going to ask a series of polls and let the community decide on what we do with the design of the coin.  We’re starting with this (36mm diameter, image not to scale):

You Design The Coin Base

You Design The Coin Base

…which will be a “driver” coin.  That smaller gear’s round center will be a big hole, right through the coin, so you can put a pencil or finger in it as a handle to crank the coin around.  Or it can be a pendant, earring or something else.  It’s weird, it’s wacky, and I really don’t know where it will wind up.

So if you have a moment and are interested, please check out the campaign over here, spread the word, and join us for the crazy ride ahead!

Thanks!

Tesh

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OK, not so much “morbid” as… depressed, but that would have killed the alliteration.

For a little bit of context, I was laid off or downsized from the video game company I worked for just about two months ago.  It’s been… stressful.  Really stressful.  It’s part of why I haven’t posted here for a while.

For a bit more context, there’s this fellow’s insanely large video game collection that hit the news:

Guinness World Record video game collection

Anyway, there’s also this article from Kotaku that made the Facebook rounds recently:

Why Game Developers Keep Getting Laid Off

It’s a decent article, but I wanted to chase down a couple of implications that they didn’t get to, and tie a few things together.

As might be noted by the Kotaku article, or by speaking with veterans of the industry, there is a lot of churn in the video game production world.  Staffing woes aren’t uncommon in many industries, so it’s not like we’re super special snowflakes or anything, but it’s worth noting that the industry isn’t a stable one.  It’s a wildly profitable one on the whole, an entertainment medium that isn’t going away, but it’s not financially stable, nor is a career in the industry going to be a stable one.

I read an article a while back (though I can’t find it now), and this thread seems to echo the same thoughts, that careers in the video game industry are short on average.  As in, five years short, or about two big game dev cycles.  It’s true that we don’t live in a world where you get one job right out of college and stay at it until you retire or die, so again, this isn’t all that unusual, but it’s somewhat sobering.  Or it should be.

I’ve worked in the industry for eight years.  I’m an old hand at it, in some ways.  That’s… weird.  (Not as old of a hand as some, but still, it’s weird to think of myself as statistically over the hill, career wise.)

Anyway, this does have effects on the industry beyond what the Kotaku article notes.  Because companies are always fluctuating around, “redistributing assets” and such, there are convenient excuses to drop older, more expensive employees and pick up fresh meat from colleges.  The passion in these younger, unattached employees (mostly male) is exceptionally easy to exploit, as I’ve railed against before, and as the EA Spouse kerfluffle illustrated all too well.  Conditions haven’t improved much since then, though some managers do a good job.  Death marches and crunch might be the backbone of a production schedule, but they aren’t healthy.

Tangentially, this explains a fair bit of the “boys’ club” mentality of the industry, for those of you who are up in arms about Blizzard’s recent public relations black eyes.  People who grow up (and actually mature, unlike the ESRB’s definition of the word) and want stable careers for their families don’t last long in the industry.

This is part of why the indie scene is important, as veteran developers try out new ideas that would never fit into the studio or megaentertainment company mentality.  Games are an important artistic medium, but they are hobbled by the realities of the industry.  Indies are opening up the scope of the medium, but like so many artistic avenues, it’s not really a solid career choice.

I could get bitter about this, but really, I’m just noting the realities of the industry as a voice of… not warning, exactly, since I still see great value in games.  It’s more of a voice of pragmatism.  The industry is not a place for long term stability (relevant to those who wish to make games), it’s not a place for actual maturity (relevant to devs and gamers), and it’s not going away.

I’ve been applying to studios around the world, but have no real leads.  I may well be out of the “official” video game world now, more or less “retired” by circumstance, and left to do indie games with friends on the side as I scramble for other work, whether freelance art or some other art position somewhere.  Again, this isn’t a desirable position to be in, but it’s not too surprising or unique.  I’m disappointed, but then, as I noted in that NBI article, I believe that a job or career is just something you do to pay the bills so you can afford to do what you really want to do in your spare time.  I don’t have anything yet, but even if I pick up a new video games job, I can’t really see myself in the industry for decades, just because of how it works.

I’ll work on indie games because they interest me.  I’ll make my Shapeways, Zazzle, Kickstarter and other projects because I just can’t stop creating.  I may well wind up with a completely irrelevant job, but games, art and creativity are something I will always be involved in.

But… yeah… I’m busier now than I ever have been, working hard on a lot of different things, but making very little money.  This blog, as great as it is to write here, isn’t my priority.  I’ll be here now and then again, still, I’m not closing shop, I’m just busy.  Really busy.  I’m updating my portfolio (seen over here), working on my own projects (novels, games, art, photography, all sorts of things) and looking for freelance opportunities.  If any of you have leads, I’d certainly love to hear about them.

See you around!

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It’s been a great 2013, with our two Kickstarter projects doing well, thank you everyone!  We’re still shipping out the Tinker Decks and the Tinker Dice, but we’re also looking forward to what else we may be able to do.  To that end, we’d like to get some feedback from those of you who might be interested in what we’re plotting.  (And if you’re one of the kind souls who come here for my other assorted posts about gaming, game design, art and photography, I’ll do more of those, too.  I’ve been itching to do some “regular” blogging.  Lots of ideas rattling around here.  This Kickstarter stuff might just be static, sorry, but we’ll get some more signal in here, too.)

So, first and foremost, we’re planning a new campaign just for the Gearchips that we offered in the Tinker Deck campaign.  We do have a few leftovers, but there is some interest in more.

These Gearchips are poker chip sized, ready for play with the decks… or whatever else.  My kids just love playing with little metal gears, and they can serve well as tokens in a variety of games.  They are 39mm, so they can even stand in as wreck markers in WarMachine for 40mm base units or the like.  We’ll fire that up in the next month or so, since a lot of the groundwork is ready to go.  We need to run a campaign because we still have to make sure we have enough interest to get a “print run” of the coins.  We’re not yet far enough ahead of the curve to just go get more coins and hope the demand happens later.

Secondly, we’re planning a set of Gearchip-like game coins.  Specifically, they will be gear-edged coins, all built to mesh with each other, no matter which denomination.  They will have square holes in the center for use either as driver gears with a square axle, or to be able to turn freely on a round axle.  They can function in any game or situation that calls for coins or chips of different denominations (say, 7 Wonders, Race for the Galaxy or Magic the Gathering), or as parts to a machine, albeit a simple, low powered one.  These won’t be highly hardened, tempered, true machine-ready gears, just toys.  Still, that’s enough to have fun with.

We have some questions on these, though.  What sort of metal finish?  How to simplify the sale of them in batches, while still allowing some customizability to allow for use in a variety of games and situations?  We’ve been very impressed with the Gearchip coins, and we want to see how we can riff on the idea.  If you’ve a moment, we’d love some answers to this survey or comments down below.  (For all the surveys, you can select more than one option if you wish.)

Third, we’re looking at producing another deck.  We had a lot of fun with the Tinker Deck, and have other ideas we’d like to experiment with, if it’s worth it.  We’re not at all sure that we’ll go with Bicycle as the printer again, though.  They do good work, no doubt, and they are really good people to work with, but the print run of 2500 or so decks is a significant monetary hurdle.  It’s not impossible, to be sure, but there are other options that we’re considering.  These, of course, don’t carry the brand name or the instant quality assurance and recognition, which can be a different sort of barrier.  If you’ve an opinion (or recommendation) on printers, please let us know.

Also, while we’re brainstorming, how about these options?

We’ve also considered making the Tinker pair of decks available in plastic, though that will definitely mean going with a different printer.  We’re not seriously looking at Kem custom cards, as their prices are prohibitive.  We’re looking at non-US printers for this (unless someone in the ‘States can compete).

Speaking of reprints, we did order some extras of the Tinker Dice, but if there’s enough demand, we may well do another campaign for those to get another batch going… though we’d spice it up a bit by offering new finishes.  We’d simplify the ordering scheme, though, since it was overly complex this last time.

We’re also seriously considering rebooting the initial, failed, plastic Tinker Dice campaign, though we acknowledge that metal dice just seem to fit the theme better… and are in some ways, just plain cooler.  Still, plastic dice have their charms, and are less likely to destroy your gaming table.  They would be less costly, too.

There’s also a temptation to do some sort of token set for wargaming… but we need to figure out the best approach for that.  Some of those templates are big, and might get prohibitively expensive to do in metal.

So thanks for chiming in, and for your support thus far!

…and we’ll get back to a game design post here in a little bit.  There’s this one on worldbuilding I’ve had in mind for a while now…

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