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I was recruited to produce an adventure for my local library’s teenage D&D event that will be running tomorrow, and while it’s taken more time than I thought, I’ve had the opportunity to learn to use a half dozen new pieces of software and brush up a bit on my writing, editing, sketching, painting and cartography.  Some of the need to learn new tricks is due to the midstream switch to using the Roll20 website for remote play instead of just meeting at the library in person.  I like learning new things and finding ways to make old tools do new things, so this has been a good experience.  It does wind up taking longer than just using old, mastered tools, but I like to think that the ability to learn new things is a healthy one, even if it hasn’t led to more employment opportunities.

This “module” of sorts is offered as a free download.  It was done for the Orem Public Library, using some of my own art, a bit from my daughter, and free assets from other sites, noted in the text.  It’s designed as a toolkit; a setting, maps, an adventure, a handful of monsters and some NPC “seeds” to spur adventures.  You can play through the adventure or just noodle around in some of the maps, fighting monsters.  It’s an introductory sort of thing, meant to engage teens who may never have played an RPG before.  I haven’t yet produced the “printer friendly” version of the file, since making the Roll20-ready assets was the priority, but I’ll see about getting those optimized monochrome assets done in the next week or so, time allowing.

If you do poke around in these files, I’d welcome feedback of any sort.  I believe it will serve its stated purpose, even as I admit that I’m new to the 5th Edition of D&D, as well as the production software, so this isn’t going to be as polished as some of those glossy minibooks that the Pathfinder or D&D people produce.  I may also note that I’m not attached to any particular RPG, and this production was meant to be flexible; it could be tweaked fairly easily for use in other systems.

Please feel free to download these files and reproduce them for personal or nonprofit use.  Tangentially, I also modeled a sculpture of the “Gyro Golem” for use on the library’s 3D printers, but that sort of fell by the wayside.  It’s also available as a free download on Thingiverse or Pinshape.

GyroGolemRenderCropped

Thank you, and hopefully these are of some use to you!

LibraryOfTheLost2020

(Link above is to the master PDF, the following are supplemental images for Roll20 usage)

 

Roll20Prep

 

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I’ve been meaning to recycle this article for a while, and I had a few minutes to work on it lately.  It’s more or less a copy/paste of an art tutorial I wrote up for the player forums for YoHoHo Puzzle Pirates!, a game that I still think well of, even if it’s in its sunset years.

I tend to sketch with ballpoint pens, and paint in Photoshop.  This tutorial covers taking what I think of as a rough sketch, and turning it into a 150×150 pixel “avatar”, but some of the techniques work elsewhere.  I do seem to be missing some of the original art, sadly, but the original article is still up on the YPP! forums over here:

Silveransom’s Avatar Tech

For a “Reader’s Digest Condensed Version”, please continue, and as always, I’m happy to answer questions.  I’ve added a few asides here and there, always in italics.

=====================================================

It’s come up a few times, and I’ve wanted to do a Photoshop tutorial since before my YPP days, so here’s a whirlwind tour of my methodology of avatar art. It’s actually a bit generalized, but this is how I wind up doing most of my avatar art.

1. Draw something cool in my sketchbook. I do this with a ballpoint pen, most of the time. It’s personal preference… as is the definition of “cool”. This particular monkey is actually a component of an avatar I did for Phillite. He works as a standalone critter, though, so I’m reusing him for this project. (Which also means that, as might be expected, I ask that the art in this thread not be used elsewhere.)

2. Scan it in to Photoshop, usually at 600 dpi. This gives me room to play with effects. I usually shrink it down once it’s all painted the way I like it, but I like working big. It gives me more freedom to try big, sweeping brushstrokes, and more precision in tweaking. I bought a cheap Memorex scanner on sale for $40 years ago, and it’s been fantastic.
By the way, if you’re serious about computer art, do yourself a favor and get a tablet. Wacom Bamboo tablets are a great entry level product. The software doesn’t matter all that much, since paint.net, GIMP and ArtRage are free and will suffice (Clip Studio Paint and Affinity work as fairly low cost powerful single-purchase alternatives as well), and some tablets come with software. I use Photoshop Elements 2 because it’s what I have handy. I also use Painter on occasion, but that’s an indulgence. The tablet, though… that’s almost essential.

MonkeyTutorial01

3. Use Photoshop’s Levels modifier to clean up the sketch. I make a duplicate of the scanned layer, just in case I need the original for some reason, and apply Levels (Ctrl-L) to the duplicate. Pulling in both end knots a wee bit cleans up most of the static that came from the scan.

MonkeyTutorial02

4. Since my sketches tend to be a little rough, I need to do some Rubber Stamp surgery to clean up a bit. The Rubber Stamp tool takes data from a source part of the image, and replicates it elsewhere. You Alt-click to define the source, and then “paint” the duplicate, winding up with this sort of effect, here duplicating the alternate arm’s thumb:

MonkeyTutorial03

5. Rubber Stamp to clean the drawing, like this, cloning in the blank paper/background into the areas that should be clean on the drawing… it may take a bit of work and several clone source points, chosen each time with the Alt-Click:

MonkeyTutorial04

6. I then make a new level (on which I’ll be painting), and move the clean sketch to the top of the stack, and set the level blending type to Multiply. This lets me treat it as an outline, and paint the color in underneath.

MonkeyTutorial05

7. Start painting on a layer underneath the drawing. I don’t paint on the drawing layer. All coloring takes place on layers between the drawing and the white background layer I’ve set up. This gives me the ability to tweak the painting independent of the background and the sketch. This use of layers is one of the huge strengths of Photoshop (or any program that uses layers), and why working digitally can be a very different animal from traditional art.

MonkeyTutorial06

8. The base color for the monkey is in, carefully covering his space. Now, it’s time for another layer for the shadowing.

MonkeyTutorial07

9. The shadow layer is just a bit of paint that’s darker than the base color. It’s painted in a bit roughly at first…

MonkeyTutorial08

10. Then the Gaussian Blur filter gets applied, to soften it up (I usually do this, as illustrated, on a copy of the shadow painting layer, just in case I need to go back a step and tweak it):

MonkeyTutorial09

11. This makes for a nice rounding effect, and even gives a nice “reflected lighting” subtlety to the larger areas, like the monkey’s torso. (The dark side of most objects in real space is tempered a bit by reflected light, which this neatly simulates.)

MonkeyTutorial11

 

12. The Gaussian Blur pretty much obliterates the subtle shadows in the hair, so I make a new layer, and start painting in new, detailed shadows. These are brushstrokes, like the main shadow layer, but I don’t use the Gaussian Blur on these. I just use the Smudge tool to push things around the way I like them. Here’s a close shot on the hair in progress:

MonkeyTutorial10

and the tail:

MonkeyTutorial12

and I sharpen up the cast shadow under the chin with a few additive strokes:

MonkeyTutorial13

13. Erase around the edges of both shadow layers. It’s a subtle thing, but this shows how the Gaussian Blur pushed the color out of the outlines. I prefer to keep things clean, so I erase the blurred bit.  Of further note, looking at this from 2019, this edge cleanup can also be accomplished by putting all of the color layers into a layer group, and adding a layer mask to that group that simply masks off anything not inside of where you want colors.  This lets you create the edge cleanup for all of the color layers with a single operation, which is a great update to the workflow.  Photoshop Elements 2 had neither layer masks nor layer groups, so this is a bare-bones tutorial.  The fuller releases of Photoshop give more tools to work with, including “Smart Objects”, which I’ll revisit in a different tutorial.

MonkeyTutorial14

14. Now for a highlight layer. I do this the same way I did the shadow layer, just with a different color, and from a different direction. In other words, paint,

MonkeyTutorial15

blur,

MonkeyTutorial16

and make a secondary highlight layer for detail work, then erase around the edges to be clean:

MonkeyTutorial17

15. Since monkeys in YPP have a two tone look to them, with the belly, feet, hands and face a different color, I make a new layer to try to get this effect.

MonkeyTutorial18

16. Paint the relevant parts in a lighter color, then change the layer Blending options to get the desired effect. I settled on Soft Light. This allows me to paint in a second color tone, without losing the shading and hair effects I’ve made so far.  I’m using a subtle secondary tone here, and you can do more with color shifting by using a different paint color and layer compositing effects like Hue (instead of Soft Light) that shifts the color underneath while maintaining the shading:

MonkeyTutorial19

MonkeyTutorial20

17. Close to being done, it’s time for little tuning. I decided that the monkey’s belly needed a bit more dimension, so I added a bit to the shadows:

MonkeyTutorial21

18. Finish by painting the sword on a few new layers, using similar effects for shading:

MonkeyTutorial22

Add a layer for his eyes and nose…
aaand he’s done!

MonkeyTutorial23

Since this was done at 600 dpi, it’s not really ready for an avatar. It comes out to be this big, useful for seeing detail:

Monkey2Huge

 

After rescaling the resolution, a middle sized version looks like this:

Monkey2Med

And the avatar might look like this:

Monkey2Avvie

It loses a lot of detail at that scale, so this methodology isn’t always appropriate. It’s how I work because I like to have my art around at high resolution if I need it for my portfolio, especially if I need to print it out. Working high and reducing as necessary winds up looking a lot better than working small and magnifying it if necessary.

I would also usually go back and flatten some layers, erase the edges, throw in a background and/or a border… but that’s about it.

Thanks for stopping by! I’m happy to answer any questions.

-Silver

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OK, we’re live!  Thank you all for stopping by and checking out the preview last time, and please spread the word on this project!  We’re looking forward to getting the dragons made, especially, but all 4 designs are fun additions to the Tinker line of goodies.

https://www.kickstarter.com/projects/tishtoshtesh/tinker-bits-iii-scourge-of-the-skies-metal-meeples/description

ScourgeOfTheSkiesSplashB

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ScourgeOfTheSkiesSplashB

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It’s time to follow up on the Meeple Mayhem post.  Past time, actually, but life is busy.

I promised to do some damage to some meeples last time.  I didn’t get to do quite what I had planned, but I did get to send them through a cycle and a half in the clothes dryer.  I figured that the warmth, slightly elevated humidity and constant agitation could simulate wear and tear of backpacks and pockets well enough to get some bead on what might happen over time with them.

For the most part, it looks like the bag that they were in doesn’t make much difference.  They all wound up dinged a bit, and there are the occasional bits of plating that come off, most notable on the antiqued copper.  This isn’t a surprise, but it’s nice to have some photos to show what happened.

I did run into a weird event where it looks like the Top Hat male first generation Tinker meeple, finished in “Misty Gold”, wound up mostly stripped of gold.  None of the other designs had this happen for their Misty Gold, though, and looking back at the “before” photo, I can’t be sure that I actually had a Misty Gold Top Hat meeple in the batch in the first place.  I grabbed one from each of my bins, but maybe the one that I thought was Misty Gold was actually another Antiqued Silver.

1280_MeepleBagTestTopHats

So, I did another experiment with just 4 Top Hat meeples, making sure that there was a Misty Gold in the mix.  This one didn’t have a big problem, though it did show a bit more wear than the other colors (mostly some thinning in the face area, no big chips or scrapes).

As such, I think that for the most part, I’m happy with how these worked out.  The Misty Gold Top Hat does disappoint me a bit, but gold is soft, so this isn’t shocking, sadly.  I wish I could say with impunity that these little folk were incredibly durable, but it’s just a reality that any plated metal will have this sort of issue.  We can’t really make solid copper or solid gold meeples… though that would certainly be a blast if we could say we did and they sold enough to make it worthwhile.

At any rate, overall I’m sufficiently pleased with the overall durability, since the zinc alloy core is plenty tough.  The dings and scrapes that come with life as a metal are just part of the bargain in my book, but it’s nice to finally have some photos to show off.

It might also be worth noting that this just simulates mechanical wear and tear.  I haven’t found a great way to simulate months and/or years of handling with the natural oils on human skin.  I suspect that such would be a surface issue, though, so you’re likely to see the same sort of effects that you might have with other metallic items, like truly silver silverware or copper coins.

Thank you!

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Yes, it’s been a while.  Yes, I have a lot of things I could and would like to write about.

For now, though, I’m short on time.  I wanted to show this design, though, for the Dragon Tinker Metal Meeple that I’d like to get made in a Kickstarter project later this year.  The “Dame”, “Fairy” and Top Hat” designs included for scale (the Top Hat gentleman is pretty standard meeple size, at 20mm tall or so, meaning this Dragon would be about 30mm tall, or 1 and 1/6″).  The Dragon has a normal mechanized Dragon side, and an “aged” side, to give it a bit of gravitas.  This also allows me to hint that it would be made of different metals, given that some parts don’t show the aging.

dragondesigns

This is the last design I’ve had in mind for now, though I certainly can come up with others, and there are some Carcassonne expansion meeples that I haven’t had time to work with yet.  They are less popular, though, and possibly less usable out of that game, so we’re sticking with more universal designs for the moment.  Like the Mad Scientist…

madscientistproto02frontback

The Tinkerer…

meepletinkererfproto01

and the Sky Pirate and Rocketeer…

skypiraterocketeer_600

Now, I really would like to get the Tinker Steampunk-flavored Carcassonne tile variant designs done.  They will take a bit more time, of course, and since I can’t really sell them, they will be a back burner “labor of love” sort of thing.

Then there’s the Pantheon Wars game, the Fudging Fates dice and this other game I’m designing, tentatively calling it Shattervale… there’s a lot to do.

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I mentioned World of Warcraft in passing a little while ago.  I jumped back in a little while ago after picking up the Warlords of Draenor for $7.50 around Christmas time in a sale.  I figured I’d try it out a bit and see what the fuss was about.

I paid $15 for a month, then a good friend sent me in-game gold that allowed me to purchase four more months of time via the WoW Token system.  I built up a level 100 character (a new Death Knight Worgen because I wanted to get the procession boost from the insta-90 boost that came with Warlords), built a Garrison, played around a bit… then got stuck in the endless grind that is “endgame”.

Dungeons and more dungeons, reputation grinds with everyone and their ponies.  I gave it more of a shot than I usually would because I thought I’d take a shot at “earning” the ability to fly in Draenor.  I did pick up a few new flying mounts, poking around in old raids, after all.

…yeah, it’s a dumb, very dumb, exceptionally long grind.  Gating flight behind completing the main story questlines is annoying, but acceptable to a degree.  Gating it behind a ton of grind, easily months’ worth of full-time work, that’s not cool.

Anyway, I built up a Garrison that allowed me to earn enough gold to extend my playtime another few months.  I picked up Harrison Jones as a follower and was poking around in the world, again and again, using the magnificent Aviana’s Feather to pretend I could fly.

And then, somehow, the game broke.  I literally can’t get into the game to play, always getting stuck at this screen.

WoWGarrisonStuck.png

It’s been like that for about 6 weeks.  Thankfully, I’m still on “Token Time”, which somehow lessens the sting a little, but man… I detest the subscription model.  This is time that the game isn’t working, but I’m still “paying” for it.

I might try a full reinstall, but with my internet connection, that means another week or so.

This isn’t a Big Deal.  It’s just annoying.  And a big reason why I’m playing nonsubscription games and tabletop games instead of zooming around Draenor on a flying dragon.

I’ve said it before and I’ll say it again:  I’d pay decent money for a standalone, offline single player version of WoW.  It might actually work, and I’d get to have fun with it.  In the meantime, No Man’s Sky might just take over the Explorer’s itch.  Once I get a few other things done, anyway.

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Has it really been six months since I posted last?  Sorry about that, it’s been somewhat crazy around here.

I do have more Operation Backlog things to write about, and a bit to say about a recent sojourn in World of Warcraft that ended on a sour note, but for today, it’s a quick mention of a new Tinker project that we have up and running over on Kickstarter.  We’re going to get a bunch of these little guys made:

TinkerMeeplesOnDice

https://www.kickstarter.com/projects/tishtoshtesh/tinker-bits-i-steampunk-metal-meeples

We’re funded already, thanks to some fantastic early adopters, so at this point, we’re just looking for as many people as we can to get these spread far and wide.  I would love to see these little guys all over the place, popping up in different games and locations, always making people happy to have them.

No, things like this aren’t necessities, but there’s just something fun about little bits of treasure like this.  If you’re interested, please check out the campaign, and maybe tell a few others about it.  The more the merrier!

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Once upon a time, I designed a small “area control” tile-capture game for a game development exercise.  I called it Alpha Hex, a simple, abstract name for a simple, abstract game.  It has evolved over the years, and I’m looking for ways to bring it to market as a tabletop board game.  Perhaps someday it can be released as a tablet game as well, but for today, it’s a Print and Play game in what I call a “Paper Beta” format.  We would greatly appreciate your help in taking a look at the game and seeing just how well it works, or doesn’t, as the case may be.  It’s been fantastic so far in our experiments and testing.

Please print out the files below and give it a try!  If you will tell your friends about it, all the better!

It’s ready to play, though we are keeping an eye on how well it plays, and we are trying to make sure it has sufficient depth to offer good value.  We have plans to add another wrinkle to this particular game, the Deity Cards, but at the moment, I’d like to get this out into the wild to see what sort of feedback we can gather.  If you have the time and inclination, please take a look at the game, and if you can tell us how it played for you, we’d love to hear it.

Pantheon Wars: The Fall of Ra is an “area control” game played on a 39-cell board.  You can play a shorter game on the 19 cells in the middle, which is how we have done most of our testing to date, but both work well.  Players compete to control the most tiles, with ties decided by control of the Nile river and delta cells on the board.  Tiles played on the board stay where they were played, but control of those tiles shifts as the game proceeds.  Success comes from smart play and careful planning.

PantheonWars_FallOfRa_SmallMap

If you have played Triple Triad, you will probably easily understand the core mechanics, but I’ve tried to keep the rules clean enough and the basic ruleset simple enough that it doesn’t require knowing that game.  Pantheon Wars: The Fall of Ra is designed specifically around being easy to learn, but with enough complexity in play decisions and circumstances that there is room for careful thought and skill testing.  Players find that to be true in testing, and it’s my hope that getting some new people to look at the game will let us refine it further where needed.

I call the game a “beta”, but it’s really one that has been through several cycles of development already.  I’d be happy with the game being released into the wild as-is, since we’ve had a lot of fun with it and so have our testers to date.  Still, there is room for polish, and when we get the Deity Cards polished up, we will need to give them a thorough period of testing as well.

We would love to get this made as a commercial product, too, and I’ve been investigating options for a Kickstarter project to make that happen.  Before we do that, though, testing the game some more is in order, and the more people we can reach to get this tested, the better.  More eyes can also mean a better launch for the game if we do get to take it to Kickstarter.

If you have the time and interest, then, please download the files below and print them out.  It should give you all you need to play the game with 2 to 6 players.  I print the board and tiles on photo paper and then mount them on matboard, then cut them out, to give a better feel to them and more durability, but you should be able to play the game if you just use simple paper on everything.  I’m happy to answer questions about the game, either here or over on our Facebook page:

Project Khopesh

I would also love to ask you questions about how the game worked for you.  If you are willing to let me ask you some questions, or just want to ask some, please contact me at tishtoshtesh@gmail.com with “Fall of Ra” somewhere in your email subject line.

Thank you all!

If you want these as .PDF files, they are presently hosted over on Dropbox at this link (two files; a small rulebook and another file with the board and pieces):

Pantheon Wars: The Fall Of Ra Print and Play

Rules

PantheonWars_FallOfRa_Rules_v3

 

Board in 3 parts for printing on 8.5″ by 11″ paper

PantheonWars_FallOfRa_PrintAndPlay_Bottom

PantheonWars_FallOfRa_PrintAndPlay_Middle

PantheonWars_FallOfRa_PrintAndPlay_Top

Board combined for larger format printing

PantheonWars_FallOfRa_PrintAndPlay_fullmap

Tiles and Control Markers (we’ve been using flat marbles instead of  these colored squares, but it’s handy to have these markers in the print and play files, just in case)

PantheonWars_FallOfRa_PrintAndPlay_Page2

PantheonWars_FallOfRa_PrintAndPlay_Page3

PantheonWars_FallOfRa_PrintAndPlay_Page4

 

PantheonWars_FallOfRa_PrintAndPlay_Page5

 

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Operation: Backlog is still proceeding, I just don’t have tons of time to do any of it, from the playing to the documenting.  Still, it’s good for the very fractured gaming schedule I have.  As usual:

I’m going through my Steam list alphabetically, picking up games I own but haven’t played to see what’s there.  15 minutes each is all I’m budgeting, but I reserve the right to get sucked into a cool game.  Some I’ve played already, though, so I’ll mention them in passing here and there, giving them a rating like the other games.

I’ll be giving each of these Backlog games a rating of sorts, as follows:  Regret (uninstall and forget), Remember (uninstall but wish for more time), Revisit (leave installed for later) and Recommend (wish for more time to play this right now).  This is a squishy continuum of sorts, and deliberately imprecise.  This isn’t an in depth survey-and-review, it’s Spring Cleaning of my video game backlog.

—————-

First up is one of the drive-by games:  Batman: Arkham Asylum

This is an excellent game.  I played it to completion and then some on the XBox 360, not on PC, but it’s one I highly Recommend.  It’s not perfect, but it’s great fun, and really nails the feeling of Batman, at least, as I have come to expect it as a fan of the character since the mid-90s.  It has fantastic combat, excellent worldbuilding, really, really good graphics, fun mobility, Kevin Conroy, Mark Hamill, and, well, it’s tons of fun to play.

—————-

Second, we have the sequel, Batman: Arkham City.  I’ve only played this one for about 45 minutes, so I don’t know how well the open world nature of the game actually works in the long run.  Catwoman is a bit too skanky and the political setup seems contrived, but it still seems like the core of what made Arkham Asylum works is still present.  It’s a game that I’m leaving installed, and Recommend, though with the usual caveat that I haven’t played all that much of it.

—————-

Third, I did try to play Birth of America, but it flat out refused to work.  So, dump that in the Regret pile.  I don’t have time to wrangle dysfunctional games.

—————-

Fourth, the Blackwell Deception almost ran into the same fate, with some weird tech issues popping up thanks to my dual monitor setup, but the second time I fired it up it behaved.  This one’s a bit tricky, as it’s an adventure game in the vein of the LucasArts classics.

2015-04-13_00015

I did love that era of gaming, for all its quirks, and this game would have fit well in those days.  I consider that to be praise, though it does mean that I just don’t have time to give it a proper playthrough.  I’d like to someday, along with the rest of the Blackwell Bundle that I picked up at GoG.com, but for now, I’m lumping them all together with a Remember rating, noting that I do like adventure games, I just don’t have a lot of time.

2015-04-13_00028

I love that Wadjet Eye Games is making games that feel like classic adventure games.  The voiceover work is adequate, if not stellar, the art and animation is solid, and the writing that I saw was pretty good.  The game plops you into an investigation with little fanfare, effectively dropping you into the deep end, but it’s designed well enough that there’s not much trouble getting up and running.  It’s a well designed first 15 minutes, I think, and it does leave me wanting to play more someday.

—————-

Fifth, Blood Bowl: Legendary Edition.  I picked this one up on deep discount due to my passing interest in the WarHammer tabletop wargame.  I have some of the sourcebooks, but no models and nobody to play with.  I just study the books and dissect the game design.  Blood Bowl isn’t really the same thing, but I’ve heard enough good about the board game incarnation of the title that I figured I’d check out the digital version.  (I still wish there was a digital version of the WarHammer tabletop game so I could play with someone online.  Not a RTS, not a card game, not a shooter, just a literal translation of the tabletop game.  This is one reason why I backed WarMachine Tactics for its Kickstarter campaign, but we’ll dig into that later.)

Without a history with the board game, I hit the learning curve hard in Blood Bowl.  It seems to be well designed and the visual design is solid, if a bit too skanky and “grimdark” for me.  (I have very little interest in any WarHammer 40K titles for the same reason.)  I puttered around a bit with setting up a team, fired up a match and promptly lost horribly.  There are a LOT of options and rules to the game that I’m just not up to speed on.

BloodBowlOptions

That’s not a bad thing, really, so long as the game can be mastered with some honest effort, but I just don’t have the time to make that effort.  This is a failing in my schedule, not the game, though it would be nice to have a bit more guidance for those early learning moments.  Being tossed in the deep end is OK so long as there’s a good learning feedback cycle.  That seems to be a bit obscured in this title, though it is clear that it builds on the board game.  I should see if I can find the rulebook somewhere in a used bookstore, perhaps.

As such, I’m giving it a Remember rating, and maybe I’ll pick it up later.  I don’t dislike the game, I just have to move on and it didn’t really grab me.  There does seem to be a lot of meat to chew on and a fun, snarky sense of humor, though, and that’s promising.

—————-

Sixth, Braid.  I’ve written about this before, I think, having played it years ago, but in a nutshell, it’s a decent little platformer with great art design and solid game design.  The story is pretentious, dreary, and takes itself way too seriously, but the game is fun.  I give it a Recommend rating, if only to see the visuals and design in action, just with the caveat that it’s not really the revolutionary masterpiece that it often gets credit for.  It’s fun, it’s solid, it’s full of itself.  I’m done with it, but I do think it’s worth playing if you haven’t.

—————-

Seventh, Cargo Commander.  I got this one in a bundle, one of those games that just sort of tags along with other games I actually cared about.  (I don’t remember what it was bundled with at the moment, though.  Oops.)  It’s not that Cargo Commander looked bad, just that it seemed a bit too twitchy for me.

It’s a platformer with variable gravity and a ticking clock.  The design is actually pretty solid, I’m just not all that interested in this sort of game any more.  Maybe as a teenager I’d have loved it, but I prefer more thoughtful, careful, tactical games these days.  That’s not a failing of the game, since it does what it sets out to do well.

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You play as a corporate lackey, stuck on a space station in some far off garbage zone, tasked with dragging cargo containers in to crash into your habitat, and then go invade them and grab any valuable salvage before the timer runs out and everything falls apart but your base.  You have to scramble into these other containers, platform through them fighting baddies and the structure, and grab what you can.  It’s fast, frantic and not very forgiving.

The controls are tight, platforming with the keyboard and aiming with the mouse, a bit like A.R.E.S., but much more fluid and fun.  There’s an upgrade system and a “completion” rating, with the ability to replay levels to try to do better.  The visuals are adequate, nothing amazing, but not bad.

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All in all, I give this a Remember rating for myself, but it’s really something that might be worth picking up if you’re into variable gravity direction, crazy quick-on-your-feet action.  It’s a slightly silly premise, but it winds up being pretty fun to play, so long as you’re up for fast paced gaming.

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Eighth, Chains.  This is a light puzzler, very clicky like AVSEQ was, but not quite as fast and much more interesting given its physics and variable levels.  It’s a decent little game, one I give a Remember rating since I remember it in a positive light.  It’s not even close to my favorite puzzle game, but for all its apparent simplicity (the visual style really isn’t all that great), there’s a bit more going on under the hood than screenshots might suggest.

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Ninth, Chime.  This is one I’ve mentioned in passing before.  I really like Chime.  I do wish that I could flip pieces like I can in Puzzle Pirates’ Carpentry puzzle, as that would make it a more complete puzzle game, but for what it is, Chime works well.  It could use more music options, too, but what it has is good in my book.  I give it a Revisit rating, since it’s not as great as others I’d put in the same mental “music/puzzle” game niche, but it really is a good game.

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Tenth, Cogs.  I’m a fan of steampunk design.  Hence the Tinker products I’ve been working with for almost two years now.  (Go visit the shop, please, and spread the word!)  I love old, beat up, lived in machinery, and I love puzzle games.  Cogs scratches all the right places for me.  It has smart puzzle design, great visuals, simple play rules (at heart, it’s just a bunch of sliding tile puzzles with some nice 3D aspects), and it really embraces its own steampunk design ethos.  It’s not arrogant, it’s not silly or trying to be ironic, it’s just a well-themed tinkerer’s box full of puzzles.

Some are easy, some are really tough, and most are somewhere in the middle.  They always feel fair, though, and there are some great uses of the 3D aspects that introduce nice quirks with sliding tile puzzles.  Sadly, when my computer crashed last year, I lost my screenshot collection, but there are some puzzles that I played again and again, just for how fun it was to see the mechanism come together as I solved the puzzle.  I wish I had some of them as real, physical devices.  (These puzzles are later in the list, and I didn’t have time to get to them for this project.)

Cogs earns a hearty Recommend rating from me, as it’s one of my favorite light puzzle games.  It’s available for Android devices, too, which is nice.

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That’s all for this post.  There are plenty more where these came from, the most notable for next time being Dear Esther, Defense Grid and The Dig, one of LucasArts’ finest adventure games.  Until next time, then!

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