Posts Tagged ‘strategy’

Operation: Backlog is getting a bit messy this time, but it’s all in good fun.  As usual:

I’m going through my Steam list alphabetically, picking up games I own but haven’t played to see what’s there.  15 minutes each is all I’m budgeting, but I reserve the right to get sucked into a cool game.  Some I’ve played already, though, so I’ll mention them in passing here and there, giving them a rating like the other games.

I’ll be giving each of these Backlog games a rating of sorts, as follows:  Regret (uninstall and forget), Remember (uninstall but wish for more time), Revisit (leave installed for later) and Recommend (wish for more time to play this right now).  This is a squishy continuum of sorts, and deliberately imprecise.  This isn’t an in depth survey-and-review, it’s Spring Cleaning of my video game backlog.


One thing before diving into the new list, I forgot to mention Bret Airborne last time.  It’s a nice little match-3 combat puzzler, a bit like Puzzle Quest, but with a curiously shifting battlefield.  It’s not as deep as Puzzle Quest, but it’s a game I Recommend if you’re interested in match-3 puzzle game variants.  (My current favorite is Gem Spinner 2 for a more pure puzzle game, and Puzzle Pirates Bilging is my gold standard for playability.)  It’s an indie game, so it’s not the beneficiary of an enormous art budget, but the play’s the thing, and Bret Airborne is fun to play.  I picked it up from the designer, so it’s not on my Steam list, but I wanted to mention it as I went through the list.


First up for the 15 minute treatment this time is Deadly Sin 2.  I loved JRPGs as a teen, playing through all of the Final Fantasy, Star Ocean and assorted other goodies I could get my hands on.  Chrono Cross is my champion there, but there are a lot of gems in the genre.  Deadly Sin 2 is a RPG Maker game, one of approximately… a lot.  It’s an indie game, so it’s not going to compete with the latest Japanese opus, but that’s OK.  I picked this up in one of my bundle purchases somewhere, not as the prime motivator, but hey, I’ll take a look at it.

I did have to run it in windowed mode due to technical glitches, and it’s… teeny.  560×454 with the Windows frame.  That’s not something I’ll ding it for, it just surprised me.  It’s built around big-headed sprites and a walking grid, like FF2 or 3, but with the RPG Maker’s greater resolution.  Combat looks like Dragon Warrior games of old, which is rather below what I care for, but plays more like FFX (turn-based, listing who is up in the next few turns) with a dash of WoW (threat, cooldowns).  That’s kind of cool, actually.


I could nitpick the visuals, but the art that’s there is decent for what we’re dealing with, and it serves the story well enough.  There’s not a consistent art style, but I suspect it’s leaning heavily on prepackaged tile art, so that’s not a surprise.  It does amuse me that the main character is named Carrion.  It seems like a warning… not quite “Dogmeat”, but a sly reminder of the fate of many young adventurers.

The character growth system takes a few pages from early WoW, with passive and active skills that can be improved by sinking points into them.  The team is a trio of magic users (one “magic knight”, a cleric/fighter and a mage) and a bruiser/tank.  That’s also pretty standard fare, but hey, it’s not going to be too hard to pick up and play with.


As a story-driven, long RPG, 15 minutes really doesn’t do it justice, but from the short time I took with it, I can say that it seems to be unremarkable but playable.  Youngish hero and his friends caught in a war, take off on a quest to Save The World.  Again, not something I’ll ding it for, but neither is it all that amazing.  Maybe it opens up later on into something awesome, but I’m not sure I’ll bother.  I don’t regret buying or playing this game, but I can’t give it any higher than a Remember rating.  I love that middleware tools like RPG Maker XP exist so that these games can be made, though.  It’s exactly the sort of thing I might have done in high school, if the tools were available then.


This is one of those games that might rate higher if I really dug into it, so if that’s something you’re willing to do, I can say that it starts off with the characters reacting to a crisis, and they are capable of handling it, so it does get moving without too much frontloaded padding.  It might be awesome, it might be mediocre, I just can’t tell more than “generic JRPG with some modern twists” from the first 15 minutes.


Dear Esther is a weird sort of entry.  I really like this “exploration game” for some reasons, mostly the visuals and the feel of the island.  It has a good sense of place, and it really scratches my Explorer itch.  At least, mostly.  It’s certainly on rails, in a way, with a linear, directed path, and only a few little places to wander around a bit.  Still, it’s great to look at and I took a lot of screenshots.  I can’t find any of them now, that’s just my luck, but there are these three I had lying around (I’m not sure where they came from) that give a decent sense of the place.




There’s a middle section of the game in a weird cave, and for all its glorious detail, it’s a bit… silly.  The story isn’t much to speak of, trying way too hard to be ambiguous and mysterious.  Still, for a self-directed “art exhibit exploration”, Dear Esther is worth checking out.  It’s not really much of a “game”, in that there aren’t really any choices to be made or obstacles to overcome, but it’s an experience I Recommend.


Another drive-by game is Defense Grid: The Awakening.  I’m not a tower defense expert, but I like them on occasion.  GemCraft is one of the lighter ones that I find I like, but Defense Grid has a bit more meat to it.  I never did finish the game, but I had a fair bit of fun with it.  It has a great art style, solid design, and a nicely paced learning curve.  It’s a game I Recommend for fans of the genre, and it even serves as a decent introduction if you’re new to tower defense games.


I hadn’t played Demolition Inc. before this project, and I find that I like it.  I’m a big fan of the crash events in Burnout: Revenge (a really great game, by the way), and this reminds me a bit of those.  It’s simpler, a bit goofier, but still good fun.


You’re an alien, tasked with flattening Earth’s surface and “revegetating” it so it can be refurbished as an alien recreation area.  You use a collection of tools to manipulate passers-by and cause all sorts of ruckus to flatten cities.  It’s cathartic, ridiculous fun.  The visuals aren’t anything incredible, but the stylized cartoonish work makes the whole silly premise work.  Hyper-real visuals on this could just ruin the tone.


I give this one a Recommend rating.  Setting up a destructive chain reaction just hits all the right mayhem notes.


And then we come to another game I’ve played long ago, but really, really love.  The Dig.

Man, this is a great game. I consider it to be one of LucasArts’ masterpieces.  The art, the animation, the story, the voice work, the character development, it’s all great.  It’s a science fiction tale, starting simple and grounded, as it were, and then it goes way off into weird space.  I don’t have any screenshots handy, but this is a game that I highly Recommend, whether or not you’re into adventure games.

Go get it and play it.  If you have any interest whatsoever in adventure games, science fiction and/or LucasArts, you will be pleased with the experience.


Then there’s DiRT, a great rally driving game that is apparently no longer on the Steam store.  DiRT 3 is, however, and it’s close enough.  I did play DiRT 3 via OnLive shortly after that system came out (I was given a console and two games by my then-employers, NinjaBee), and I like that title better since it’s updated and upgraded, but DiRT is just good, non-clean rally racing fun.  I Recommend it for anyone interested in driving games.  It’s a bit more hardcore in its driving simulation than the excellent Burnout series, but it’s great fun and it looks really good.

GamesRadar has some good shots of DiRT 3 over here.

I love rally racing, at least, in video game form.  I don’t have the skills to do that sort of crazy driving in real life, but man, it’s just fun to go careening about when there’s really not much at stake.  It’s almost as much fun executing a tricky drive as it is flying off of the track.  (Tangentially, MotorStorm Apocalypse on the PS3 scratches many of the same itches.  I find that I’m a big fan of mayhem in my driving rather than strict simulation-like driving.  It must be my Mario Kart roots showing.)


And then there’s Disciples 3: Resurrection.  I really liked Disciples 2, even though it’s simple compared to my beloved Final Fantasy Tactics and Tactics Ogre, when it comes to tactical games.  Still, give me a good game with strategy and tactics involved, and I’ll probably have fun with it.


This game is a bit like Disciples 2, in that it has great paintings and a nice, consistent art style, a strong focus on developing small squads instead of processing huge armies, and moving about on a world map.  The 3D art isn’t always as good as the 2D art, but overall, it’s impressive.  The intro was lengthy and the voice work isn’t all that impressive, but it’s skippable.  The painted 2D art they use for the movies is really good, with a strong sense of style.  2D art has always been a strength of the Disciples games.


There are actually several Disciples 3 titles, and this one is built around the Undead faction.  (It’s not my first choice for a faction, but it’s the game I picked up in a bundle, so it’s what I play.)  As such, it’s a bit creepy for my taste, but I like that the design is more about a dusty and dessicated look rather than gory and horror-movie-schlock.


The combat is deepened a bit by the inclusion of a hex grid and unit movement, which is nice.  In Disciples 2, you just had your party fight other parties, each lined up in a 2×3 grid for tactical considerations, but otherwise really simplified.  Melee units attacked the opposing front lines, mages and archers could hit either front or back lines.  The new hex grid opens up the tactical play a lot, and I appreciate that.  It does mean that it’s trickier to protect the Undead magical units, since melee isn’t their strength, but that’s not a design flaw so much as it is a tactical consideration.


There’s also a new character progression scheme, a sort of skill tree/maze that reminds me of character progression in Allods Online, FFXII and FFX.  That’s a nice addition to the series in theory, though I’m not sure how well it will play out, since there’s little indication of what’s really important and I didn’t see a way to respec if you decide to play differently.


I wound up playing it for almost a half hour since I really wanted to dig into the game.  I’m not sure that I’ll spend a lot more time with it, if any, but it’s definitely something that I’d have played a lot of a decade or so ago when I had more spare time.  I give it a Recommend rating, noting that it’s one of those deeper games that might not merit such a rating, but at first blush, it plays well and looks good.


Dream Pinball 3D was up next.  It’s… a pinball game.  I’m not familiar with all the pinball games out in arcades, but I did play my fair share of them in the 90s, and I like them.  As near as I can tell, the tables in this game aren’t clones of real tables, so there aren’t gems like The Addams Family table, but the visuals are good and the table I played was designed decently.


Starting the game for the first time requires the CD key, and the interface isn’t kind to copy/paste, so that’s annoying, and a separate “activation” process, which you can bypass… sort of.  You can start the game without activation, but only in “Demo Mode”, which means you can play one of the five available tables, and only for 5 minutes.  Yeah, I didn’t even give it the full 15, since I don’t like putting up with that kind of stupid.  It’s stumbles like this that make a first impression less than savory, even though the gameplay itself is good.


I’ll give it a Remember rating, since the activation thing really annoyed me, but if you’re into pinball games, it’s worth a look since the game design seems solid, so long as you can put up with the goofy admission procedure.


Droplitz is in my Steam list, and I remember it as a decent puzzle/tile game… but I can’t find it on the live Steam pages.  It’s a decent game, worth trying if you’re a fan of puzzle games.  It plays a bit like a simpler version of Puzzle Pirates’ Alchemistry.  Nothing incredible, earning a Remember rating, but a good little diversion with a decent art style and game design.


Dungeon Hearts isn’t a game that I’d buy normally.  I picked this one up in a bundle with other games I wanted.  I’m not really a fan of games with a strong timing component with constant pressure, but this is a decent puzzle-clicky game.  It’s certainly more fun than others I’ve played lately.  There are combos and timing to consider, giving it more depth than just clicking on what shows up.  There are some tactical considerations to deal with on the fly, so it has some depth.


I give it a Remember rating since there’s just enough there to make it more appealing than something like AVSEQ, but it’s just not my kind of game.  It’s too reliant on twitchy reflexes, and I prefer slower gaming most of the time.  You can move pieces around and manipulate the battlefield to make big combos, which seems to be key to really mastering the game, and you can use your attacks to delay the enemy’s attacks, so all in all, I think the design is solid.  It’s just one of those games that I don’t care for because of what I want in games.  “It’s not you, it’s me”, or something like that.



Dust: An Elysian Tale is a beautiful game, made almost entirely by one guy.  It’s an indie darling, for good reason.  It looks great, plays really well, and is good fun.  The writing is good, the voice work is better than most games (indie or otherwise), the art style is consistent, and consistently good.  It’s a solid platformer with good skill testing without being abusive.


At least, so far.  Maybe it gets mean later on, but the early parts of the game have a good learning curve and a lead character that seems powerful and fun.  His sword is sentient and talkative, and it has a guardian that can provide some seriously flashy firepower as all three characters combine talents.


There are lots of different items to gather, equipment to use, moves and combos to learn, levels to be acquired, and it even looks like some Metroidvania influence, with what looks like a tunnel, placed as a tease for future use, after learning some new tricks.  (I’m not sure if that’s what the tunnel actually is, it just makes me think of that.)  So, it looks like it combines some of the best elements of platformers, brawlers, Metroidvanias and RPGs, all with gorgeous animation and appealing characters.


I Recommend it.  I haven’t played all the way through it, so it might be frustrating here and there, but what I played, I liked.  A lot.  I did play it with an XBox 360 controller, which seems to be a Good Idea, though it’s not the only way to play.  It’s worth noting, though, since that did mean I wasn’t fighting to learn the keyboard/mouse controls.



Endless Legend was part of Steam’s “free play weekend” games, so I gave it a shot.  It’s a game that I might pick up later on sale, since it’s a solid 4X game, and I do love those.  It looks great, though it’s hard to get a good bead on how well it plays in just 15 minutes.


The game does have some introductory missions, which are helpful, but there’s just so much there to plow through that 15 minutes isn’t enough.  I consider that a Good Thing, just like I did with The Banner Saga.  There’s depth to the game, and I love that.  I want to dig in, I just can’t at the moment.


…this is a game that I really want to spend more time with, though, even after cheating a bit and playing for a half hour, so I’m giving it a Recommend rating.  This review I ran into gives me hope that such a rating is warranted.  I did notice that the came connects to a server when doing the tutorials, so I hope it’s not one of those “single player online” backhanded DRM situations like EA loves to pull, but the game itself just seems like a perfect addition to my collection.




That’s it for this time.  More than I expected to do, but at the same time, I just went through my backlog of Humble Bundle keys, and expanded my Steam collection by about 60 games, so I’m not really getting ahead, not yet.

Thanks for stopping by!  Here’s hoping that there’s something here you find interesting.  I realize that most of these games will be Old News to most of you, but that’s my life; behind the curve, but amiably so.  See you next time!

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The original X-Com is on my short list of favorite games.  It was my first foray into tactical games, and since then, I’ve steeped my gaming sensibilities in other masterpieces such as Master of Orion 1 & 2, Master of Magic, Civilization, Front Mission, Tactics Ogre, Final Fantasy Tactics, Disgaea and Ogre Battle.  I never did play Laser Squad Nemesis, but the Gameboy Advance game Rebelstar: Tactical Command captured a bit of the old X-Com magic.  One of the first projects I worked on here at NinjaBee/Wahoo was our little gem Band of Bugs.

Similarly, I’ve spent a lot of time reading about tabletop tactical games like WarHammer and WarMachine, and I’m developing one of my own I’m calling Zomblobs! that may well wind up being a sister game to another one I have in mind (the sooper sekrit *redacted* project), not unlike the mesh between WarMachine and Hordes.  I have a lot of ideas for tactical games, and it’s been a blast to try to make one and see if there’s something to those ideas.

Let’s just say that I love tactical and strategic games.  They run deep in my gaming DNA.

So when I heard that the BioShock guys were making an XCOM game, at first, I thought “great, a resurrection of the fantastic tactical game by some guys who have no small amount of game prettification experience!”.  After a bit of cursory research, though, my response was pretty much the same as Shamus’ over at Twenty Sided and Jay’s over at The Rampant Coyote.  In short, it wasn’t quite the Darth Vaderish “NoOoOoOOO!”, but it was pretty close.  I had to go and play the original (I bought the whole bunch of them on sale over at Direct2Drive, also available on Steam, and conveniently on sale today), just to wash the 2K out of my brain.  Shamus later followed up with this lovely extended rant, and I found myself nodding along.  Seriously… this just bugged me so much I had to ignore it or slip into mild-mannered nerdrage.

…tangentially, I find it interesting that my flavor of nerdrage expression was to buy the original game in protest, even though I still have the CDs for the first two games in my library somewhere.  That probably borders on ineffective.  This might also be why my efforts to resurrect the Chrono series by buying ‘Trigger on all platforms and playing the OST for CT and CC every week isn’t doing so well.  Anyway…

Yesterday, it was with much happiness that I found out there is a team of intrepid indies working on a game they call Xenonauts, a little gem that looks to be nicely faithful to the original X-Com.  While I haven’t bought in yet, Minecraft is the only other game I’ve spent money on while it’s still in development, and I’m sorely tempted here.  Maybe I’ll get it after passing on a few more junk food runs (my gaming budget is what I might have spent on junk food).

Then this morning, Firaxis pulls a vaguely mean move and announces their own resurrection of the X-Com name.  I like Firaxis.  I trust them, at least for now.  I think they might actually understand X-Com and be able to bring it into the 2010s.  That sure has the potential to put the bootheel of Bigger Business on the Xenonauts team, though.

As ambivalent as I am about Firaxis maybe poaching indie efforts, both teams really are poaching the X-Com name in the first place, so I can’t get too fussy about it.  If anything, the competition between the two could be a healthy thing, making for better games.  I do hope that the Firaxis effort doesn’t destroy the livelihood of  the Xenonauts team, but mining nostalgia is a dangerous game.  (Never mind the IP legalhounds and shenanigans that come up with things like the Chrono Resurrection project.)  The squishy territory covered by tribute, homage, mimicry and plagiarism is a minefield.

May the true inheritor of the X-Com throne rise up!

…but if they both flub it, will someone else please try again?

…and I dearly hope that the 2K iteration doesn’t become the most successful one.  That would just be… sad.

UPDATED with more info at the following pair of articles,

Why Firaxis Loves X-Com

First Screens and Details

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I’ve written about most of the card by now, but I wanted to cover the other remaining bits and mention a few other things.  Once again, here’s the card:

Zomblob card Murmurer

And here are the other articles on it: Warming Up and Keeping Track.  There are other Zomblob articles, all tagged with the Zomblob label… I’ll make a comprehensive list when I post the beta ruleset and PDFs.  (This has been pushed back a little bit thanks to two other big projects that demanded immediate attention, but I want to get them before the 20th or so if at all possible.)

The biggest thing I haven’t covered yet is the combat resolution.  It works like HeroScape (which I still haven’t played, sadly, though I’ve researched it) or the WoW Miniatures game.  Each attack uses either WILL or POW, and the number cited is the number of six-sided dice you roll.  (So a POW 5 attack would have you rolling 5 dice.)  This number may be modified by a few things, so you may be rolling a few more or less.  The defending unit rolls dice as well, dictated by the attack.  Ranged attacks will have the defender rolling as many dice as the RDEF value lists, defense against melee attacks use the MDEF value, and defense against WILL attacks use the WILL value.  (If you’re using an Action on one of your own units, ignore the WILL values.)  A die showing 3, 4, 5, or 6 is a “success”, either in attack or defense.  A POW-based attack will deal damage equal to how many successes the attacker rolls, minus the number of successes the defender rolls.  A WILL-based attack is binary; if the attacker rolls more successes than the defender, the attack succeeds.

It’s worth noting that the base values for these attributes will range from 1 to 6.  They might be modified by game effects, but they shouldn’t wind up too big.

Example 1:  A Banshee Feral Ranged unit uses a ranged attack with POW 4 against our hapless Murmurer up there.  The Murmurer is a Support unit, generally hiding behind the front lines, so it has a decent RDEF of 4.  Both players roll 4 dice.  The attacking player rolls 3 successes, and the defending player unluckily rolls 1 success.  The Murmurer takes 2 damage (loses 2 Health points) because it only defended against one of the 3 attack points.

Example 2:  An Interceptor Aspirant Melee unit uses a WILL attack (WILL 6) to try to lock the Murmurer in place for a turn.  The Murmurer is a stubborn unit, as its WILL value of 5 attests.  The attacking player rolls 6 dice and gets 4 successes.  The defending player rolls 5 dice and gets 4 successes.  The Murmerer thus defends against the WILL attack and does not suffer the lockdown.

Example 3:  The Murmerer then uses its own Action that prevents a unit from moving (the second one in the list up there), targeting a rapidly approaching Rhino Feral Melee unit to stall its charge.  The Rhino has a WILL of 5, just as stubborn as the Murmurer, but it has melee attacks with POW of 5 and 6.  The Murmurer doesn’t want to defend against that with its measly 2 MDEF, so keeping the Rhino away is a good idea at the moment.  Both players roll 5 dice.  The attacking player (the Murmerer’s controller) rolls 4 successes and the defending player rolls 2 successes.  The lockdown attack succeeds, but there are no other effects due to the 2 successes that were not defended against.

I chose this method instead of the WarHammer/WarMachine method of only the attacker rolling dice for a couple of reasons.  One is that I simply prefer it.  Two, it’s more interactive.  Klaus Teuber, the designer behind Settlers of Catan, suggested in an interview (that I can’t find at present, sorry for the lack of citation) that games that allow all players to act, no matter whose turn it is, tend to be more interesting and socially involving.  This might be why I prefer the technique.  It seems like the people I’ve played the WoW Minis game with have more fun, too, as they are actively participating in their defense, not just sitting back hoping their opponent doesn’t roll well.

It’s a subtle psychological trick, perhaps, but I think it’s important, especially when you’re dealing with a small group instead of big, impersonal armies.  Rolling your own defense simply makes it more personal and tactile.  It might also make it more annoying to keep track, to be sure, which is one reason why I’m trying to keep the numbers relatively low.  Sure, it’s possible to make an attack have 11 POW or something even bigger, but that winds up to be a lot of dice.  6 feels like a good baseline top end to me, but this is one of those things that really needs a good playtesting shakedown.

Other than that, the card shows a few other things.  One is the “unit specials” box under the unit type line.  Each unit will have something here, some personal quirk, though some may have the same quirks.  The Murmurer is a fairly strong support unit with decent defense (at range, anyway) and a pair of useful defensive abilities:

“may not be delayed” means the Murmurer cannot be given TP by any other unit.  (Time Points that delay its next action, as described in the Keeping Track article.)

“may not be flanked” means the unit does not lose RDEF or MDEF when it’s attacked from its back arc, which is what Flanking usually does.  (An defender loses 1 to MDEF and RDEF against attacks against its back arc.)

Other units might have “(unit) gains +1 POW against Feral units” or “(unit) can draw LOS through any units” or the like.  I’m hoping to make all of these fairly simple and self-explanatory, but useful and/or powerful enough to make each unit valuable and interesting.

This does intersect a little bit with what I’m calling Auras (one of the elements that the Murmurer doesn’t display), which are static abilities that allow a unit to affect the battlefield at all times (the Special box is something that only affects the unit itself instead of a space on the battlefield).  An Aura will take the place of one of a unit’s Actions, but it need not be activated, it’s simply always “on”.  These will usually affect the stats of nearby units, either buffing allies or annoying enemies, though there will be some “utility” Auras with quirky effects, like the Interceptor’s movement-impairing aura that affects every nearby unit.

Then there’s the Value box in the lower right.  This is the point value of the unit, relevant for army building and scoring.  I’ll initially be offering a six-unit team for each breed, balanced by this number.  There’s room for customization, though, and handicapping, which is where this Value will be useful.

There’s also the Absorption mechanic, which is why the last Action has a gold border.  Any unit may absorb an Inert blob.  (A blob that has lost all of its Health is rendered Inert, which means it stays on the battlefield, just a lump of goo that gets in the way.)  If a unit absorbs another unit, it learns its last Action for the duration of the match.  You’d place the absorbed unit’s card under the absorber’s unit card, showing that last Action.  That Rhino Feral unit might wind up with the Murmurer’s ability to delay and heat up a target unit via absorption.  This might also be a big deal in campaigns, where absorbed Actions carry over to the next fight.

…I’m playing with fire a little bit there, potentially giving units “off-breed” abilities (which is one other reason why that last Murmurer Action is a multipurpose tool instead of a stronger simpler one).  I’m not sure that it will work out well, but it fits the flavor of blobs so well that I really want to make it work.  We’ll see, I guess.  There’s just something delightfully appealing about the ability to take the enemy’s resources and bend them to your ends.  I love this about BattleTech and salvaging units, something that was really fun in MechCommander 2, so I’m hoping to capture a bit of that fun with the biological mutability of the ‘blobs.  It might be a “win more” mechanic, but those have value too, in speeding up the endgame.  Absorption is a universal Action, too, so you’d be trading the opportunity to do a native Action for your turn for the potential of a new tool in future turns.  This will require playtesting and experimentation.

Does all of this make sense so far?  I don’t have the rules completely written down yet, and I need to find the best way to explain them concisely, so I’m hoping that these concepts aren’t too crazy.  I’m spending a lot of words here describing what I think are relatively simple mechanics… but sometimes something makes sense in my mind and then doesn’t translate all that well onto the page.  I’d love to hear what you think of any of this.


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I’ve written about this a little bit before, in my Losing Control article, and I previewed it a little bit in my card preview in the Keeping Track article.  One of the key mechanics of my Zomblobs! game is the Heat mechanic.

Once again, here’s the preview card:

zomblob card murmurer

Of note for the Heat system (which I suppose could use a more snappy name, but hey, “Heat” worked for BattleTech, and this is inspired in big ways by that game, so I can’t be too picky) are the three key values in the lower left corner, and the Heat values in each Action Tile.  Action Tiles are the largest visual elements on the card, the stack of pink and blue rectangles on the right side.  They define what the unit can do for its Action each turn.

A unit’s options are limited by its present Heat value.  Heat is a scale from 1 to 12 (easily tracked with a D12, 2 D6s or pen and paper) which every unit needs to track.  The Norm value is where the unit starts along the scale in any given battle.  The Coma value is where the unit slips into a comatose state, unable to move, and only able to use the universal Recover Action instead of any of its other Actions.  The Fever value is where the unit crosses the threshold between cool and warm.  This is really where each breed (Aspirant, Feral or Zomblob) most strongly differs.

The card above shows a Zomblob unit, which starts in the warm section of the gauge.  While it’s there, it can only use Actions that have the pink “warm” background (and the standard Actions, Recover and Absorb).  These actions will make the unit’s Heat go down by the number noted in the costs section of the ‘Tile.  Zomblobs prefer to be hot and fevered, and when they cool down, they start malfunctioning.  This is reflected in the blue Action Tile; when in its non-Norm phase (cool, in this case), a Zomblob unit can only use the Actions with blue backgrounds, and as can be noted, the Murmurer’s cool Action isn’t quite as desirable as its warm ones (though it may be useful in mirror matches… otherwise, it’s going to be attacking its teammates).

Aspirant units, on the other hand, start off in the cool section of the gauge and melt down into mania if they get too hot, and their available Actions will reflect this.  Feral blobs are perhaps the most quirky here, as they are about as effective warm as they are cool, just in different ways.  A unit that specializes in fast melee single target strikes while cool might settle into slower strong Area of Effect or Swipe (arc) attacks while warm.  Ferals don’t particularly mind being warm or cool, they just function differently (and unlike the other two, they may use the Recover and Absorb Actions while in their “non-Norm” state).

This dance between heat states is one of the most important things to track in the game.  Sure, Health is important and the Time system is key to some tactics, but Heat will dictate what Actions you have available on any given turn, and that can make all the difference.

Consequently, one of the most crucial aspects of Support units in the game is the way they can help other units manage heat (or inflict heat troubles on opponents).  Notice the last Action Tile on the sample card up there.  The Murmurer can make a target unit gain heat (and time).  This is a multifaceted tool, usable on *any* target.  Sometimes it might be advisable to heat up your own unit, even if it does mean a time delay (though I might just reduce or omit that to make the Action more useful).  Sometimes it’s best to heat up an opposing unit to throw their tactical options off.  It might even be useful against an opposing Zomblob, purely for the delay.

Each unit also (often) has access to the universal Recover Action, which costs 2 Time Points but heals 2 Health Points and moves the unit’s Heat 2 units towards its Norm.  Sometimes it’s best to stop and take a breather.  (Though the healing part of that might be too strong… playtesting will be key to nailing down the magnitudes of these functions.)

This will probably make more sense with more cards to compare, but that’s the core idea behind the Heat system.  It’s a way to modify the tactics of combat, and a way to make choices and timing more important.  Do you go for the big attack that will put your unit in its “off” state, or do you play it safe and Recover or use a cheaper Action?  I think it’s these choices, and their concurrent risk and reward, that make this sort of game most interesting.

What think you?

Oh, and I’ll write more about the combat system next time.  That’s really important, too, I’m just trying to break these articles up into concepts.

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I’ve written a bit about my own game design, using it as a template for practical demonstration of some game design elements.  There are nuggets in the Balance articles thisaway:

Part 1, Part 2, Part 3, Part 4, Part 5

In addition to the things I’ve written so far, outlining some of the features of my tactical RPG (think “hex-based Fire Emblem/X-Com/Final Fantasy Tactics inspired” cobbler), I want to splice on a larger, strategic layer.  That’s another place where the X-Com inspiration comes in.  That classic game has a tactical layer (turn based initially, real-time pausable later in the series), but it also has the Geoscape, a strategic layer where base management, research and politics matter.  This facilitates a sort of strategic persistence, where decisions you make in the tactical combat echo through the campaign against the aliens and vice versa.

For example, falling behind in research is especially damaging to the war effort, but if your soldiers can’t score some salvage to study, you’re going to fall behind.  If you can’t equip them with better gear through research, battlefield acquisition and plain old mercantile action, they won’t work well in the field.  If they don’t gain experience and become better soldiers, they won’t keep up.  The  little decisions you make all over the place add up to a greater whole.  (See also: The Rampant Coyote’s Game Design: Small Choices article.)

I like that a good commander needed to keep the bigger picture in mind, and that sometimes, short-term sacrifices needed to be made to make a long-term plan viable.  I like that tactics and strategy have their own compartments in the game design (they are different, after all), but that they influence each other in profound ways.  That’s the sort of gameplay that can make planning and analysis very rewarding, even as randomization of things like alien attacks makes flexibility valuable.  I love that about X-Com, and it’s something I’ve tried to let weigh heavily in my own designs.

So, what sort of large scale conflict I’m thinking of for my game?  Well, the short form is “post-apocalyptic DNA soup, where blobs are the dominant life form”.  Players choose one of three Blob breeds and deal with their neighbors; the Aspirants, the world’s mental giants (these guys correspond to the Focus strain of previous articles), the Ferals, blobs of the wild (Agility units), and Zomblobs (Strength units), slow, relentless, mindless monsters.

In age-old blob tradition, consume your enemies, or be consumed.  Use their strengths as your own and rise to be the dominant species.  Build blob bases, claim favorable geography, research the apocalypse and dig for hidden DNA caches to give your group the edge via mutation and adaptation.

Or else.

The zomblobs are coming.

Zomblobs! ...and neighbors

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Time is an interesting thing in games.

At a very basic level, you usually have the power to pause a game.  Some games play with time more explicitly, as the recent Prince of Persia games have.  Yet others take time manipulation even further, like Braid‘s suite of time-bending mechanics, or maybe just temporal echoes like The Misadventures of P. B. Winterbottom.  Like death, time is one of those immutable things that we face in nature that is ripe for fictional and mechanical treatments in games, both in the narrative and in the play.  (That could be an article in itself, though, so I’ll save that for another time.)

On a more specific level, I’ve been looking at time and how it functions mechanically as a game design element, working on my own game design again.  I’ve been pulling in ideas from a variety of sources.  From the differences between “speeds” of cards in Magic the Gathering or the World of Warcraft TCG (instant, sorcery/ability… and then there’s phasing, delay counters and other oddball mechanics) to warmups and cooldowns, from turn-based RPG notions of speed to real-time games and rate of fire or travel speed, there are a lot of ways that time makes a difference in games.  Specifically when considering balance, I tend to look at speed as another “handle” to tweak in order to nudge around valuation of varied game design elements.  Mark Rosewater has written about similar things when talking card design in MtG, so before I blather too much more, may I recommend an article or two of his?

Mark Rosewater Q & A

Plenty of Time

You Make the Card FAQ

Equipment to Be (especially the Topic #6 subsection)

That last one is likely where I latched onto the idea of “knobs” to tweak when defining costs on game mechanics.  I’m pretty sure he’s written about it elsewhere, but durned if I can’t find those articles.  Point being, the cost/benefit ratio for each game design element is an important factor of balance.

In MtG terms, two similar cards might be allotted the same level of power but that power might be expressed in different ways.  One might be an “instant” card with a cheap effect, while the other is a slower “sorcery” card with a more powerful effect, but both have an equivalent abstract power level.  (And yes, something like a 2W 1/4 creature with an ability might have its power balance figured differently against a 2W 3/2 creature with a different ability.  MtG design isn’t always about the card’s speed… but speed is what I’m looking at today.)

So what of turn-based tactical RPG design, since that’s what I’ve been looking at in my other articles (this, a game of my own design, so I can speak with some authority about the thought processes behind it)?

Balance, Part 1: Tao of Picasso

Balance, Part 2: Asymmetry and Art

Balance, Part 3: Systems, Defaults and Munchkins

Balance, Part 4: Triangles, Trinity and Triage

I’ve pulled inspiration from a lot of different sources on this, but four major examples stick out: Final Fantasy Tactics, Band of Bugs (the first game I worked on here at Wahoo/NinjaBee), World of Warcraft and Final Fantasy X.  Some thoughts, then…


In physics terms, “speed” is distance per unit of time.  Many RPG systems incorporate speed as a core characteristic of units in one form or another.  Sometimes it’s “agility” which affects a variety of things, sometimes it’s a simple measure of d/t.  Band of Bugs expresses unit speed purely as distance (number of squares on the grid a unit can move) per turn.  Each game “turn” consists of a single action (with or without a move) by each allied and enemy unit.  Once everyone has had a shot at doing something (even if it’s only defending in place), a “turn” is over.  A fast unit can move farther each time it gets to move, while a slow unit can only move a few steps each turn.

BoB units alternate activation.  A player gets “action slots” within the turn to move their units, and a turn allocates all of its slots more or less randomly between all of the units on the field, friend or foe.  Players can choose to move whichever unit they like in their time slots.  The first two slots might be reserved for the player, but then the computer or other player might get the next two, then they may alternate single slots, then back to two.  Since it’s not “all my team moves, then all your team” like Disgaea, FFT or Valkyrie Profile, Covenant of the Plume, you’re never sure which unit the other guy will choose to move during their time slots, so it’s a little trickier to plan things out.  This rewards a more conservative set of tactics.  I’ll admit, I’m a bit annoyed that I can’t predict my opponents, and that I can’t gang up or make a front by using my units all together, but it does make for a more chaotic sort of feel, which again, rewards a different sort of play style.  It also makes more chronological sense than “all my guys go, then all yours” as if mortal combat were some sort of square dance with weapons.  …which might be sort of interesting in the right context, but I digress.

Point being, speed in BoB has more to do with how far a unit moves than anything else, and this is pretty common among TRPGs.  It seems to be largely rooted in the “turn” structure, where the balance comes in giving each unit an action per arbitrary large chunk of time we call a “turn”.  True, this may mean an enemy squad that outnumbers the player team 2 to 1 will also get twice as many actions per turn, but that’s just something that designers have to keep in mind.  (On the other hand, if a player team of four units against a computer team of eight units simply alternated these “time slots” without the overall turn structure of giving each unit one action each turn, the player units would effectively move twice as frequently as the enemy units… also clearly a weird notion of balance.  More on frequency below, though…)

Contrast that with Chess, where each player has the same number of units, and they take turns moving a single unit at a time according to that unit’s rules.  It might be said that the Queen has extraordinary speed potential, if framed in distance/move terms.  We might call her flexibility “agility”, while we’re talking about RPG terms, thereby differentiating her from the Rook and Bishop.  All three have the same speed potential (as far as they can see in a clear line), but different agility.  Of course, the game doesn’t track all that well with RPG design; imagine how the dynamics of Chess would change if you could move all of the units on your team once before your opponent got to move anything at all.  It would be almost unplayable.  (Which could lead to discussions about why TRPG teams tend to be small, and turn order advantage…)

Of course, there are the Fire Emblem games that take speed and use it differently.  The FE games use speed to determine whether a unit can attack a foe twice in a combat round, and to determine how likely an opponent is to actually hit you.  High speed means better dodge rates, then, and enough of a speed disparity between attacker and defender may well lead to one getting hit twice per exchange.  Speed doesn’t affect how often a unit moves, then, or how far (the former is determined by the “all my team, all your team” system, the latter is class-based), it affects combat.  It’s probably closer to what most games call “agility”, then, though the two-for-one strike bit does feel like a unit is simply much quicker than its opponent.  It’s such a strong tactical effect that it seems to me that many FE players prefer speed over raw power.

So, there are several different directions to take the notion of speed.  The direction you go with it will depend mightily on what you want the game to play like.  I find I like the effect speed has in the FE games, though I like the tactical utility of letting speed affect motion range.  In something like Phantom Brave, where you aren’t constrained to a grid, it can be even more useful to have a big range of motion.

Warmups and Cooldowns

Timing on actions can also be an interesting knob to tweak.  Final Fantasy Tactics has a quirky magic system (the Faith mechanic is something I’ll revisit later; I’ve used something like it in a tabletop miniatures game I’m designing) that might be parsed easily by a World of Warcraft veteran.  WoW character abilities tend to range from instant cast abilities with a wide variety of cooldown timers (time before you can use them again) through a range of what I’m calling “warmup” abilities; those that require a bit of time between activation and effect, whether it’s a “fire and forget” missile sort of thing or a “stand here and mumble for a while and eventually your effect will happen” thing.  There’s even a sort of hybrid; the “channeled” technique where the effect happens while standing there mumbling, and it keeps happening for the duration of the mumble period.  There’s also the instant-cast, lasting effect sort of spells.  There are a lot of knobs to tweak with timing there, both with the casting and the effects.

By comparison, the FFT system is pretty simple.  It’s just a warmup system where magic spells take time to cast, but once cast, they have an immediate effect.  The only cooldown is waiting for another turn to move your mage and start a new spell (and refilling magic points, I suppose, but combat doesn’t usually last that long).  There is a marked lack of what I’m calling “smart” or adaptive targeting in FFT, though.  In WoW, even your spells with a warmup time are still cast at the initial target, wherever they may be.  (OK, assume your cast isn’t interrupted, anyway.)

In FFT, you choose a target and a spell strength.  Stronger spells take more time to warm up.  …more time to allow the targeted space to change.  If memory serves, you target a place on the ground, and units may move into or out of said target.  (I don’t think you can keep targeting a unit… though if you can, you don’t know where it will move, so you may well hit friendly units with splash damage.)  Using powerful spells then naturally changes into an exercise in prediction and spatial control.  That’s all well and fine from a “depth of tactics” standpoint, or for the “I want the game to hate me” crowd, but the trouble is one of feedback.  It’s been a while since I played the game, but I seem to remember that you can’t tell when the opponent units will move.  You know how long your spell should take to cast, but not exactly who will move between casting and the effect.  It’s hard to pin down what might happen to that targeted space.  That makes it hard to use bigger spells.  If you knew who would move and when, you could predict where they might move thanks to blocking and baiting, but absent that knowledge, magic is little better than slow artillery.  Carpet bombing locations has some tactical value, but it’s an indelicate, imprecise weapon.

It seems to me that the missing piece of “when” is crucial to making that sort of warmup-based location-targeted magic useful in a turn-based system.  In WoW, where everything is real-time, that question largely goes away, since most players can just move anytime (mobility controlling spells aside, of course).  Later FFT games (FFTAdvance and FFTA2) have moved to an “instant cast” system that make tactics simpler and easier, for better or worse.  (I know, old school is the best school, and all that.)  It’s a change I like overall, but I think the predictive potential of delayed warmup magic could be better realized with better feedback on who would move when.

Back to cooldowns, though, WoW tends to use cooldowns to throttle the use of certain abilities.  More powerful abilities tend to get long cooldowns.  Utility and common abilities get short cooldowns so they can be used more often.  Players get the benefit of being able to use something right now if it needs to be used, but they have to wait to use it again.  It’s a nice balance between usability and throttling, permitting powerful abilities without them overwhelming the more common ones.

Similarly, the Kingdom Hearts series has fiddled with its magic in each iteration of the IP.  Early titles used instant-cast magic point-consuming spells (MP being yet another knob to tweak for balancing things, of course).  MP could be refilled by collecting drops from fallen foes, recharging at save points or by using items.  Later iterations of the game have dropped MP altogether and have used cooldowns to throttle magic use.  It’s an interesting change that sort of smooths out the pacing of magic use.  Instead of using a bunch in a flurry then refilling MP, players can use magic spells more regularly over time, but without the temporally concentrated burst of activity they once were capable of.  The spells refill automatically, so resource management moves from keeping track of MP and items, and more into keeping track of time.

Time as a Cost

Or, “where it all starts to come together”.

I really like using time as a cost for abilities, ideally with a mix of warmups and cooldowns.  To really make things work, I want enemy turn order to be crystal clear, so that prediction can work.  When time becomes the coin of the realm for using abilities, as a matter of feedback, it needs to be clear how things change during that time.

That’s where I’m borrowing from Final Fantasy X.  It’s one of my favorites in the FF series, partially because of the combat system.  It’s a turn-based sort of system in that it’s not “real-time, always running”.  The game waits for your input, and your characters and the enemies take turns beating on each other.  It’s a different sort of “turn” from the games I’ve written about above, though.

There’s a timeline that all unit actions fall on.  Units act when they are ready, with the frequency of their actions depending on their speed rating.  Faster units get to act more frequently.  Time itself ticks on underneath the turn order.  There’s no “each of us gets one hit on each other” ad perpetuum, it’s just characters checking against the underlying clock to see if they get to act again.  (I’m not sure what the system does in the case of a tie, but I’m not sure it matters to the user since they know ahead of time and can plan accordingly.)

As for feedback, you always know who takes the next turn and the next handful of turns after that because there is a UI element that shows you the next several actors (not their actions, just who is up to bat next for the next ten actions or so).  Further, those actions can be modified by things like Haste spells (higher frequency of actions) or Quick Attacks (low power, shortest cooldown), and the turn order shifts around to reflect that.  You can also swap characters in combat and the time layout may shift to reflect changes in the order because of the new character’s speed.  You can predict the next few moves very nicely this way and react with much more control.

It’s that sense of “time goes on” that I like, rather than the Red Rover sort of game where teams alternate attacks.  Yes, you will always get some of that “wait ’til I hit you” time stutter-step with a non-real-time combat engine, but I think that the FFX system hits a nice compromise.

This time treatment is actually fairly similar to the World of Warcraft Miniatures game, which I like quite a bit.  It’s not something that functions to the depth of a WarHammer or WarMachine tabletop game (go check out 6 Inch Move for some great articles on tabletop gaming, by the way), mostly as a matter of scale, but the WoWMinis game is pretty solid for a simplified tactical game.  That game also has a ticking time line that progresses all the time (though players track it, not the computer).  Each unit has a personal clock, and they get to act when their clock matches the master clock.  Moving (or doing nothing, actually) costs a tick, and unit attacks or abilities each have a “tick cost”, effectively a cooldown.  Their attacks are balanced against the time cost.  There are no magic points, just time costs.  (OK, if you use the optional ability bar cards, those effectively have a “ten tick round” potential cooldown, as they can only be used once per ten ticks of the master clock, so they function a little differently, but still, that’s a time-based throttle.)

I played a game with my wife where her Orc Warrior was able to use an ability to get some extra range on one of his turn’s moves and then immediately take another turn simply because everyone else was on cooldown.  He subsequently squashed my fragile mage, winning the game for my wife.  That sort of tactical situation (effectively a last-ditch two-for-one double turn) doesn’t come up in a game where you just alternate actions.  Yes, I lost, but it was awesome that the game allowed that sort of thing.

My Turn

So, for my game, I want to have a FFX-like time system, where units act according to their own timing measured against the master clock.  There will be a display of who will be acting for the next handful of “turns”, allowing for predictive tactics.  I love the idea of both warmup and cooldown abilities, and I want to make a system that makes them interesting and fun.  I will probably include a UI element that shows when a warmup ability will actually trigger within the master clock’s queue.  Unit speed will dictate the frequency of their actions (and other subtle effects we might usually attribute to agility), and actions will be paid for with their time cost.

I want the gameplay focus of the game to be on smart tactics based on solid intel.  There’s a place for guesswork, but that will be optional, as players can turn off the timeline UI or introduce fog of war.  At its heart, I want my game to err on the side of ease of use (not necessarily ease of conquering the game’s challenges, mind you) so that the challenge comes from the game’s tactical situations, not fighting the system’s limitations.

One More Thing

A few final quirks of time in games:  Talking is a free action; time moves at the speed of Plot, or as fast as players need it to.

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Whee, another collection of links!  Yes, I feel lazy because of it, but there’s just so much going on that I wanted to highlight.  Plenty of good discussions going on lately in game design.

Eric poked the beehive thisaway:

Class vs. Open Skill Systems

I don’t care for his tone.  I don’t agree with his assertions, either about players or designers.  It’s worth reading, though.

Naturally, others have responded.

Ysharros: Classless is a pain in the assless

Jason: The Skills of EVE

Psychochild: Stay Classy

The Rampant Coyote: Defending the Lack of Class

I find myself largely agreeing with Brian (Psychochild).  In fact, I wrote about a hybrid system before:

Autopilot Character Development

Similarly, Big Bear Butt has taken a stab at the trinity of WoW combat roles, spurring some good discussion about where things might go if we open up a little.  It’s a fantastic article that echoes a lot of my own thoughts on the matter:

The Unholy Trinity

It’s no secret to anyone who reads around here for much that I’m a firm believer in agency for gamers.  To me, that’s the point of gaming.  Blizzard’s tendency to angle in the other direction might be better for some things (development schedule, balancing), but that doesn’t mean it’s the only way or the best way for everyone.  There’s even a subtle undercurrent of resentment afoot these days against the restricted agency, diagnosed interestingly thisaway:

The Cataclysmic WoW Disease

Players want to make choices.  If they didn’t, they would watch a movie.  To be sure, there’s a difference between problems and choices, and some have different tolerances for each, but I believe that gamers want more than barely interactive movies.  Learning is a core component of gaming, and when choices are made for you, there’s less to learn.   At least, that’s one theory.

One recurring theme I see is the idea that classes are easier to balance than an open skill system.  On that I agree, but the difference is small.  As Brian has noted, balance is hard.  Period.  Also, as he and The Rampant Coyote suggest, it’s best to look at what you want to do with your game first and then balance around that.  Choosing a game design for ease of balance (a mirage at best) is a valid strategy, but not necessarily the best way to make the best game you want to make.  It’s certainly not the Only One True Path of Game Design or even game success.

I go further to suggest that Balance is overrated.  You will never have perfect balance. Even Chess, where both players have the same pieces, isn’t balanced, as players take turns (chronological imbalance), and the Queen and King are situated differently per side.  Even Go has the chronological imbalance.  That’s just the game design, never mind potential huge imbalances in player skill.  (Though I’d note that with enough turns, chronological imbalances diminish in importance.  Similarly, with enough choices, the impact of any one imbalance can be minimized.)

Further, even if we’re going to make one of those huge baseless scientific assumptions that class balance can be perfected, we’re still talking about MMOs that have a huge power band, big variances in gear, significant differences in player skill and even hardware issues.  These things will never be balanced.  That’s not a reason not to try to provide a level playing field for gameplay that likes it (PvP, for instance), and you can certainly do worse than to aim for something approaching balance, but balance can’t be the shrine at which agency and fun are sacrificed.

Life’s not fair.  Get over it.

It’s OK (and even healthy) to have gimped choices, so long as those choices can be changed easily.  Mark Rosewater of Magic the Gathering fame, has even noted that they intentionally design sub-par cards so that players can make choices.  Sometimes, even those “bad cards” wind up synergizing with other cards in new and interesting ways, making for a lot more fun than a bland, whitewashed balanced system.  This is important for game design; for players to be able to make choices, they need to have options.  That means there will inevitably be some bad choices.  Designers have to have the self-control to let players make those choices.

…and then the mercy to let them change their choices and learn from their mistakes, to help them dust off, learn something, and go try again.  That’s play.  That’s fun.  If the designers are making all the choices, players are missing out.

To be sure, an MMO is different from a brief MtG duel or game of Chess, but I’d argue that the long time investment in these games is greater incentive to give choice in play other than “reroll, noob”, especially when rerolling costs time and money.

… more on balance later.  Gotta go draw some stuff for it.  In the meantime, go check out those links and the discussions afoot.  Most are more interesting than my blather anyway.

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